Steeped in MSteeped in Miami’s B-boy culture, it was classic electro & Miami bass that conceived Danny Daze’s love for the experimental Dutch electro & Detroit Techno scenes of the 90’s. Labels like Schematic in Miami, Interdimensional Transmissions from Detroit & Viewlexx out of The Hague set the foundation for Daze.
Danny Daze’s radical approach to preserving music’s integrity while breaking its boundaries may seem volatile, but it’s not random. “I’ve always gone against the grain & it’s important for everything I do to feel authentic. There isn’t much difference between Daniel Gomez and Danny Daze.”
As a DJ, he prefers to express his versatility across long sets. He is known to cut & weave from Electro to Techno into Italo Disco, into a record by Yazoo deliberately intended to provoke a reaction. “I once played a Paula Abdul record at Berghain… basically, it’s like it or leave it,” says Daze.
Steeped in MSteeped in Miami’s B-boy culture, it was classic electro & Miami bass that conceived Danny Daze’s love for the experimental Dutch electro & Detroit Techno scenes of the 90’s. Labels like Schematic in Miami, Interdimensional Transmissions from Detroit & Viewlexx out of The Hague set the foundation for Daze.
Danny Daze’s radical approach to preserving music’s integrity while breaking its boundaries may seem volatile, but it’s not random. “I’ve always gone against the grain & it’s important for everything I do to feel authentic. There isn’t much difference between Daniel Gomez and Danny Daze.”
As a DJ, he prefers to express his versatility across long sets. He is known to cut & weave from Electro to Techno into Italo Disco, into a record by Yazoo deliberately intended to provoke a reaction. “I once played a Paula Abdul record at Berghain… basically, it’s like it or leave it,” says Daze.
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